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Acoustic panels across very different interiors

Acoustic Solutions

Sound Control, Room by Room

A classroom, an open-plan office and a swimming pool fail acoustically for different reasons — so they are fixed with different build-ups. These are the solutions we specify for each space, with the reverberation targets behind them.

9Space types covered
66Standard systems
40+Export countries
24hSpecification reply

Start from the Problem

What Are You Hearing?

Four complaints cover most enquiries. Find yours, then jump straight to the build-up that solves it.

“We can hear each other’s conversations”

Open-plan speech transfer: too little absorption near the ceiling and between desks.

Fix: Ceiling clouds, desk screens and PET wall panels at first-reflection points.

Fix for workplaces →

“The room sounds loud and muddy”

Long reverberation: hard parallel surfaces and a high volume with nothing to absorb.

Fix: Class A broadband absorption on ceiling and upper walls, sized to the room volume.

See the targets →

“Conversations carry into the next room”

Speech privacy: lightweight partitions, hollow doors and shared ducting.

Fix: Mass layers and damping felt in the partition, plus solid-core acoustic doors.

Damping & doors →

“Bass booms in small rooms”

Standing waves between parallel walls — thin panels cannot fix the low end.

Fix: Thick corner absorption, membrane damping and QRD diffusers to break the modes.

Diffuser range →

01Workplaces

Offices, Co-Working & Meeting Rooms

The complaint is never that an office is noisy in general — it is that you can hear the conversation two desks away. Speech transfer between workstations is a geometry problem, and it is solved by absorption at the ceiling above the desks, not by more glass.

Most fit-outs already have a suspended ceiling; the build-up below mixes clouds over bench clusters with absorption on the slab where the soffit is exposed. Meeting and focus rooms get wall panels at first-reflection points so calls stay inside the room.

What We Specify

02Education

Schools, Universities & Libraries

Reverberation is the reason a teacher has to raise their voice. In an untreated classroom each syllable overlaps the next, and intelligibility collapses with every metre from the front — the ceiling is where most of that is recovered.

Classrooms and lecture rooms take ceiling absorption sized to BB93 targets; sports halls and workshops need impact-resistant wood wool instead of felt; music rooms and corridors take printed PET panels that double as wayfinding.

What We Specify

03Hospitality & Retail

Restaurants, Hotels & Stores

In a full restaurant the problem is competing conversation: hard surfaces everywhere, no soft furnishings, guests leaning closer and raising their voices. The panels also have to carry the interior design — which is why wood and printed finishes dominate here.

Dining rooms take absorption where guests cannot see it — ceilings and upper walls — while feature walls stay decorative. In hotels the same systems cover lobbies and private dining; in flagship stores they cut the noise of a busy fit-out without touching the brand palette.

What We Specify

04Healthcare

Clinics, Surgeries & Care Homes

Speech privacy is the requirement that matters most: a patient describing symptoms two metres from the next chair should not be intelligible to anyone else. That needs absorption at the ceiling and on partitions, with faces that survive clinical cleaning.

Consulting rooms take wipeable fabric-wrapped panels; waiting areas get ceiling absorption sized for low-level conversation; treatment rooms pair wall absorption behind the desk with solid-core acoustic doors so discussions stay inside the room.

What We Specify

05Sports & Pools

Sports Halls, Gyms & Swimming Pools

Sports halls are the hardest environment we supply: hard floor, hard walls, high volume, ball impact and — in pools — constant humidity. Felt does not survive here; mineral-based panels and metal ceilings do.

Walls take cement-bonded wood wool for impact resistance; pool halls switch to perforated aluminium ceilings that shrug off moisture; above the action, vertical baffle arrays absorb where a flat ceiling cannot reach.

What We Specify

06Performance Spaces

Theatres, Auditoriums, Studios & Cinemas

Performance rooms need the opposite of a quiet office: controlled reflections, even diffusion and a decay time tuned to the use — 1.0–1.2 s for speech, 1.4–1.8 s for music, near-anechoic conditions in control rooms.

Auditorium walls combine grooved and perforated wood for broadband absorption with QRD diffusers to keep the rear of the hall alive. Studios are built as rooms within rooms — isolation first, then absorption and diffusion inside.

What We Specify

Design Targets

Reverberation Targets at a Glance

Where each space should land, what usually goes wrong, and the systems we reach for first.

SpaceTypical problemWhat we specifyDesign target RT60Browse
Workplaces & officesOverheard speech between desksCeiling clouds, desk screens, PET wall panels0.4–0.6 sPET Felt & Fabric Baffles
Classrooms & lecture roomsTeacher strain, poor intelligibilityCeiling tiles in the grid, printed PET on walls≤ 0.6–0.8 sMineral & Fibre Wood Wool
Restaurants & hotel lobbiesCompeting conversation as the room fillsWood slat walls, fabric panels, ceiling absorption0.6–0.9 sWood Fabric Wrapped
Retail & showroomsLoud fit-out, hard finishesDiscreet absorption behind feature finishes0.6–0.8 sPET Felt Sandstone
Clinics & care homesSpeech privacy, cleanabilityWipeable fabric panels, hygienic ceiling tiles0.4–0.6 sFabric Wrapped Ceiling
Sports halls & poolsLong decay, impact and humidityWood wool walls, perforated metal ceilings, baffles1.5–2.0 sWood Wool Metal
Theatres & auditoriumsEcho, uneven reflectionsGrooved wood, perforated panels, QRD diffusion1.0–1.8 sWood Diffusers
Studios & cinemasIsolation, flat low-frequency responseRoom-in-room build-ups, damping, diffusion0.2–0.4 sDiffusers Doors
Transport & public hallsCrowd noise under hard ceilingsRobust metal and mineral ceilings, wall absorption1.0–1.5 sMetal & Aluminium Mineral & Fibre

Targets are design guides for typical occupancy, drawn from BB93, DIN 18041 and BS 8233 practice. Final values should be confirmed for your project — we run the calculation for you as part of every quotation.

How We Specify

From Floor Plan to Build-Up

One engineer follows your space from first drawing to container loading — the acoustic calculation is included, not an extra.

1

Send the Room

A plan, dimensions and ceiling height — or just photos and what the space is used for. That is enough to start.

2

We Run the Numbers

RT60 per octave band for your existing surfaces, checked against the target for the space type.

3

Build-Up & Samples

Panel, fixing, cavity and coverage written up as a specification, with free A4 samples in 7 days.

4

Supply & Site Support

Shop drawings, container loading plan and installation guidance, factory-direct to your port.

Atrium, Multipurpose Hall or Listed Building?

Most real projects do not fit one template. Send us the section drawing and how the space is used — we will combine systems, design a custom build-up where needed, and quote within 24 hours.

Request a Quote

Tell Us About Your Space

Send the floor area, ceiling height and what the room is used for. We will come back with the build-up, the square metres of treatment needed and the absorption data behind it.

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Contact us

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